Tuesday, January 31, 2006

Course Overview and Description of Assignments

This course seeks to understand identity through selective texts that document some of the extreme experiences of the past century. By looking at various media, we’ll explore the intersections of personal and collective memory, the problem of representing often indescribable experiences, the ethics of witnessing, and the almost universal experience of violence that defines much of the 20th century. We will attempt to investigate the perspectives of different cultural and national reactions in our attempt understand what precisely defines human identity.
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Inevitably, the course will reflect an American point of view due to our class geography and the English language bias of our materials—from this position, I hope we can bring together our combined diversity and knowledge to substantively complement, enrich, refocus, and revise what we hear, say, read, and think.


Course Goals

The goals for this course are propelled by two projects:

a) to understand better our human identity through the extreme accounts of war and terror experienced by individual persons in the past century, and remembered by people in this one.

b) to develop a personal philosophy, through writing, about the many ways we conceptualize human identity through our investigation into global memory, information technology, ethics and human rights, cultural narratives, and the experience of trauma. Your philosophy will depend, in part, on how you mediate and interpret textual meaning through photography, film, reading, and writing.

In order to pursue these goals practically and responsibly, we will view, read, and discuss a wide variety of texts and selections of texts, including memoirs, essays, short stories, novels, photographs, films, and websites.

Every time you encounter a text in the course, you should mentally or physically record, highlight, and/or respond to those ideas that strike you, challenge you, bother you, upset you, anger you, excite you, and/or bore you. You will explore your feelings about these texts in writing, and attempt to develop thoughtful responses that analyze, explain, and find relationships between the text and ideas you find meaningful or relevant, either in other texts, in the news, in your life, in your family, in your experiences, or in other classes you’ve taken—anywhere and everywhere.

Weekly Schedule of Reading and Assignments

General Course Outline


Week One: Never Forget? (1/30, 2/1)

Monday: Course Introduction to 120

Wednesday Lecture: Trauma Studies (moved to next week)
From War is a Force: Ch 6 "The Cause" (142-156)
For next Monday's discussion, think about the following
concepts from Chapter 6:

What kinds of things does Hedges believe about the cause of war?
What is the role of the press?
Explain “War finds its meaning in death.” (p.144)
Explain how the “adoption of the cause means the adoption of the
language of the cause” (p.148 ?)
What is “nihilistic relativism”? Arendt (p.150)


Week Two: Collective Shadows (2/6, 2/8)

For Monday: Have Read Ch. 2 (42-61) From War is a Force...
Have Read skimmed noted paragraphs from Intro (from Class
Wednesday 2/1).

For Wednesday: Have Read "Volunteers" (short-story) and
WWI Poems (hand-out) , and WWI diary excerpt. Look at WWI poster images.

If you're inclined, visit World War I website (see link on this site)

Lecture: "Shell Shock" & The Birth of Modern Trauma


Short 1 Due 2/15: Your first "short" will be based on your
interview assignment with an older relative.




Week Three: Night (2/15)

For Wednesday: Have Read From Man's Search for Meaning
(Due to the long week, read up until pages 60-70).

Night and Fog (film)

Week Four Night (con’t) (2/21, 2/22)

Tuesday: From Man’s Search for Meaning (pgs TBA)
Essay One Due 2/27: See "Essay One Description" on this site)

Wednesday: From Man's Search for Meaning (pgs TBA)
From Night (Hand-Out)


Week Five: War Cultures (2/27, 3/1)

Lecture: Legacies of Hiroshima
From War is a Force: Ch 3 (62-82)
Focus: Art Goes to War (Picasso, etc)
From: Man’s Search for Meaning
Short 2 Due 3/6


Week Six: Beautiful Ruins (3/6, 3/8)

Lecture: My War Gone By, I Miss It So
From War is a Force: Ch 4 (82-121)
From Regarding the Pain of Others
From Apocalypse Now
“The Beauty of the Battlefield,” Stratis Myrivilis

Week Seven: Survivor (3/13, 3/15)

Lecture: Legacies of the Holocaust
From Man’s Search for Meaning
Short 3 Due 3/15



Week Eight: The Nightmare of History (3/20, 3/22)

Lecture: Legacies of Vietnam
Slaughter-House Five
Essay Two Due 3/22


Week Nine: Veterans (3/27, 3/29)

Lecture: German Memories
Slaughter-House Five


Week Ten: Remembering & Forgetting (4/3, 4/5)

Lecture: Popular Violence
Slaughter-House Five
From War is a Force: Ch 5 (122-141)
Short 4 Due 4/5


Week Eleven: Witness & Memory (4/10)

Lecture: 20th Century Genocides
From Regarding the Pain of Others
From Maus


Week Twelve: Witness & Memory (con’t) (4/24, 4/26)

Maus
Short 5 Due 4/26


Week Thirteen: Borders (5/1, 5/3)

Lecture: Global Apartheids
Waiting for the Barbarians
Essay 3 Due 5/3


Week Fourteen: Borders (con’t) (5/8, 5/10)

Lecture: Excerpts From Student Writing
Waiting for the Barbarians
From War is a Force: Ch 7 (157-185)


Week Fifteen: Finishing (5/15, 5/17)

Lecture: Excerpts From Student Writing
Short 6 Due 5/17